There are concerts, and then there are moments in time that become stitched into the fabric of your memory—softly, indelibly. That’s what happened the other night at The Rady Shell in San Diego, where James Taylor performed under a perfect spring sky.Seagulls glided above the stage, effortlessly catching the breeze like backup dancers choreographed by nature. In the distance, boats floated lazily off Coronado, their sails catching the golden hour light as Taylor’s warm voice wove its way into the ocean air.
It’s true—his voice isn’t what it once was. The range has narrowed, some edges are softer now. But none of that mattered. Because when the first chords of Sweet Baby James rang out, something vivid and unstoppable happened: the floodgates opened. I was back in college, a freshman clutching the brand-new album like it was a sacred text. I could hear myself humming Mexico as we rattled down dusty roads in North Baja, lobsters and beans on our minds. The windows were open. The future was wide.
Time folded that night, like a concert program tucked into a jacket pocket. I looked around and saw my dearest friends and my spouse—people I’ve known for most of my life—illuminated by the soft light of the moon. Their faces glowed with familiarity and joy, made more poignant by the music weaving through the air.
And then, of course, James sang You’ve Got a Friend.
There it was: the reminder, gentle and true, that while our hair may have greyed and our voices quieted, the people who’ve walked with us through all of it are still here. In the same row. Still smiling. Still listening.
As the last note drifted out over the bay, past the gulls and the sailboats and the California light, I realized the music didn’t need to be perfect—it just needed to be shared.